朱迪（简·方达 Jane Fonda 饰）、瓦莱特（莉莉·汤普琳 Lily Tomlin 饰）和朵拉莉（多莉·帕顿 Dolly Parton 饰）共同在一间法人公司工作，三名女性有着不同的人生轨迹和迥异的个性，却同时因为上司富兰克林（达布尼·柯尔曼 Dabney Coleman 饰）的存在而感到痛苦不堪。
　　富兰克林是一个彻彻底底的伪君子，在工作中总是有意无意的排挤和歧视女雇员，与此同时，他还是个乐于听闻阿谀奉承之词的浅薄之徒，在他的管控之下，公司内的氛围十分紧张。一次偶然之中，朱迪、瓦莱特和朵拉莉竟然在误打误撞之中绑架了富兰克林，将他囚禁起来，之后，三人在公司进行了一场大改革。

　　A down-and-out gangster hires an alcoholic press agent to make his blonde bombshell girlfriend a recording star in 6 weeks. But what is he going to do when he finds out that she has no talent? And what is going to happen when the two fall in love?

影片的故事开始于1970年代，故事的主人翁是一个叫做查尔斯·斯万三世的男人。他是一个成功的美术设计师，也是一个很有女人缘的男人。 　　可是，最近，他却被自己的女朋友伊万娜给甩了，并且自己的生活也陷入了困顿和不快乐之中。他不知道自己是不是爱他或者是恨她，抑或只是想再见她一面。渐渐地，查尔斯在做恶梦、发热，并且总是会回忆起自己之前的过往和之前的往事。好在他还有自己的挚友科尔比以及经理人绍尔的陪同--只是，他这次能走出爱情的阴影并且重新把生活拉回正轨么？

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.

　　本片是由杰克·哥德博尔格执导并担任编剧，弗莱迪·海默、奥德娅·拉什和克里斯托弗·米洛尼等人出演的喜剧片。

威尔的爸爸妈妈都是超人界定天皇巨星，理所当然，少年威尔（迈克尔?安格拉诺 Michael Angarano 饰）进入了超人的摇篮——超人高校学习。进校的第一天就要进行超能力测试，拥有超能力的优质学生将进入英雄组，其他人则会被分到吃力不讨好的助手组。很不幸，威尔进入了助手组。从此，威尔的日子相当不好过，他不仅被超人组队同学整蛊，就连啦啦队的美女们都取笑他，而且可怜的他还要尽力向超人父母隐瞒他在学校的悲惨遭遇。屋漏偏逢连夜雨，此时，一只罪恶的黑手伸向了超人学校……

一名侦探小说作家（Robert Downey Jr. 饰）躺在医院病榻上构思新作情节：一名愤世嫉俗的私家侦探一到夜晚摇身一变成为乐团主唱歌手，故事主人翁被卷入1950年代洛杉矶一宗妓女凶杀案……随着病情加剧，他渐渐无法分辨故事与现实，精神状态陷入疯狂边缘……

　　比安卡（梅·惠特曼 Mae Whitman 饰）是一个平凡的高中女生。在学校里，比安卡属于“其貌不扬”的那一类，对于这一点，她自己心里也很清楚。不过，比安卡的个性大大咧咧活泼开朗，身边聚集了麦迪森（贝拉·索恩 Bella Thorne 饰）、杰西卡（斯凯勒·塞缪尔斯 Skyler Samuels 饰）等一批笑话级的美女朋友们，这让比安卡的心里感到一丝安慰和自豪。
　　然而，让比安卡没有想到的是，这些美女们愿意和她待在一起的原因，仅仅是因为和她站在一起能够衬得她们更加的娇艳欲滴，和友情并无关系，得知了这一真相，比安卡崩溃了。比安卡找到了在校园里拥有高超人气的帅哥卫斯理（罗比·阿梅尔 Robbie Amell 饰），希望他能帮助自己改头换面。

退伍军人张春潮见义勇为成了村里英雄，意外被选为村长，但准备结婚的女友已经在城里安排好工作，在他要放弃村长职位时，亲身体会到村里困难户的生活状况，想起当兵时的教导决定要干好村长，带领村民走上致富道路。

　　私家侦探孟波（成龙）与死去搭档的妹妹惠香（王祖贤）刚同报业大王今村商讨完寻找其失踪女儿清子（后藤久美子）下落的办法，就见清子与若干滑板少年在街道上左穿右插，一番穷追后，清子消失。惠香本想到孟波家后为孟波举办生日舞会，不想推门发现早已有七个美女正望穿秋水，一怒之下，惠香扬言会与表哥大脚板（单立文）在赌船“富贵号”上预支蜜月。
　　孟波赶到码头欲向惠香解释，不想左找右找不见其踪影，此时“富贵号”启航在即，孟波混在鱼贯涌至的游客中上了船，清子以及装扮成性感女郎的香港警察芽子（邱淑贞）也在这条船上。三个女人一台戏，何况又加一个好斗、好色的孟波。

　　发生在五个厕所里的五个故事。这部黑色幽默情景喜剧无情地揭示了社会最黑暗的角落，将人性中背信弃义的故事编绘成杂锦展现给观众。五个彼此缠绕的故事以暗示的手法讲述，意图向观众阐释对道德的谴责。(豆瓣字幕翻译2.0小组)

　　主人公是22岁的少女妮可，父母外出后独自照看房子，她和好朋友韦萝妮克享受着夏日惬意的时光。这种平静被妮可的哥哥打破了，他带着他的乐队出现了，他们正打算为专辑录歌。两个女孩的友谊受到了考验。她们的假日出现了意想不到的转折。妮可开始失眠，并且收到了来自一个只有十岁的男孩坚持不渝的追求。

　　Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's hands and as quickly as he makes a killing he takes a beating, normally at the poker table. Nominally an illegal prize-fight manager, Harley hasn't produced a live one in months, until Charles Buchinsky literally wanders into his life. Charles Buchinsky, street fighter extraordinaire. He's from out of town looking for a fight and the chance to tie up a few loose ends. Keeps himself to himself, lets his fists do the talking and his word is his bond. Victor Maitland, top illegal fight promoter and porn baron. Hates losing and loves the prestige of managing the best hitter in town. Harley dreams of bringing Maitland down and after seeing Buchinsky at work, engineers a fragile partnership...

　　Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

　　2016法国电影手册十佳的第八， 故事讲的是圭亚那雨林秘境中，所催生的一段不可思议爱情。据说是一部讽刺官僚主义的癫狂喜剧片。

　　从懂事的时候开始是"丑女"的我。憧憬着小时候参加的婚礼，希望至少能演绎出谁的幸福瞬间，就职于婚礼策划师。各式各样的客人为了庆祝人生的开始而造访了酒店。这样的我，被能干的美型上司·久世课长求婚了！？“香澄，我一直在寻找。像你这样的……绝世丑八怪”“哈!?(怒)”