An old storyteller tries to convince her grandson that Death no longer exists. Her story will bring back to life the extraordinary people who, by using incredible tricks, will eliminate Death that threatens them.

　　A withdrawn young girl joins an unpopular sorority in college. It turns out she has psychic and telekinetic powers, and she uses them against a rival sorority.

　　故事发生在1929年，乔治（布莱德利·库珀 Bradley Cooper 饰）和新婚妻子萨琳娜（詹妮弗·劳伦斯 Jennifer Lawrence 饰）一起千里迢迢赶往位于北卡罗纳那的深山之中，野心勃勃的两人决心在那里建立属于他们的木材帝国。
　　面对恶劣的生存环境，初来乍到的萨琳娜展现出了无比强悍的一面，尽管身为女子，但她捕蛇、狩猎样样精通，丝毫不输给丈夫，甚至在一次意外之中挽救了丈夫的性命。在萨琳娜的扶持之下，乔治步步为赢，给予了商业对手沉重的打击。然而，一次偶然中，萨琳娜发现了乔治的秘密，他竟然有一个私生子，这对于无法生育的萨琳娜来说无异于一个噩耗。愤怒的萨琳娜决心将这个无辜的孩子置于死地。

　　An embarrassing video of Anthony surfaces online right before his fifth high school reunion. The Smosh dudes then race to pull down the clip before it blows Anthony's chances of reconnecting with his teen crush Anna.

　　圣诞节前夕，波斯尼亚战争终于达成停火协议，亚得里亚海上的美军官兵们即将返回家乡。海军领航员伯纳中尉（Owen Wilson 饰）早已厌倦这场无意义的战争，长官莱斯利（Gene Hackman 饰）出面劝解却无济于事。圣诞当天，伯纳与搭档驾驶大黄蜂战机执行航拍任务，无意中瞥见非安全区中有武装人员行动，两人决定介入，却被对方的萨姆导弹击落，搭档被对方处死，伯纳侥幸脱险，但对方搜寻人员沿路追踪不舍。与此同时，接到伯纳求救信息的莱斯利苦于北约将军节制，在所谓顾全大局的考虑下无法介入非安全区搭救伯纳，莱斯利只好借助媒体力量甚至不惜盗用盟友设备，展开了一场对落入敌后下属的拯救行动。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　中国商人张拥有传说中的亚历克斯钻石，二战期间从俄罗斯被盗。他打算在庆功宴上把钻石还给俄罗斯，但这颗钻石被凯恩偷走了，并得到了他致命而诱人的搭档布鲁斯蒂尔的协助。负责活动安全的机构全力以赴，试图找回这颗钻石。枪战，爆炸，诱惑，致命的遥控直升机，以及大混乱接踵而至。

　　这部充满阳刚气氛的影片，主要描述在贫民窑一同长大的四个男孩，他们有着不同的个性，却有着共同的理想，希望未来能成为黑社会的龙头老大。Lansky是一个商业经济头脑发达的人；Benny体格强壮，做事易于冲动；Luciano则人缘极好，于是他利用自己所长，最终有机会铲除了黑帮前辈老大；Costello则深谙仕途之道，擅长玩弄手腕，后成为出色的政治人物。影片就围绕他们四人的成长过程推展剧情，人物性格刻划较为细腻。

　　每个人的青春期都或多或少的有过迷茫，躁动，愤怒和困惑。电影主人公贾斯汀（卢•泰勒•普奇 Lou Taylor Pucci饰）有着吮拇指的幼稚习惯。贾斯汀一直想要克服这个难缠的习惯，其实这个习惯只是一个青少年青春期困惑的一个缩影，其他的困惑还包括性和家庭等。在改变这个习惯的意愿下隐藏的，是贾斯汀对成长的不自觉的渴望。每个人成年人都可以在这部电影中找到自己曾经的影子，这个故事中的严肃，真挚，诙谐，都是那段青春时光不可抵抗的魅力。

　　A schoolgirl is raped by three low-lifes, and is then blackmailed by her attackers to keep her quiet. Desperate for revenge, she makes contact with a necromancer, who promptly "takes care" of the boys using her magic powers.

A sensational, sentimental, and philosophical horror neo-noir that follows the still-at-large crimes of Noel, a repentant, classy and charming serial killer loose in the suburbs of New York.

　　一群好朋友坐船出游，在遭遇了撞船事故后，他们被困在一个不知名的小岛上。在那里，他们遇到了一个原始的部落。

　　24 岁的夏南·吉尔伯特在一天晚上神秘失踪，她的母亲玛丽（荣获奥斯卡金像奖提名的艾米·瑞恩饰）踏上了一段未知的旅程，她直面关于女儿、自己和警察偏见的残酷事实。决心不惜一切代价找到女儿的玛丽·吉尔伯特找遍了夏南最后已知的足迹，在长岛荒凉的外河岸附近一个封闭的社区开始她的调查。她的发现迫使执法部门和媒体揭露了十几起性工作者被谋杀的悬案，玛丽不会让世界遗忘这些年轻的生命。《失踪女孩》改编自罗伯特·科尔克尔的同名畅销非虚构书籍，由 Archer Gray 的安妮·凯瑞（《你能原谅我吗？》《二十世纪女人》）担任制片人，由两次获得奥斯卡金像奖提名的丽兹·加巴斯（《第四等级》《 妮娜·西蒙：女伶的灵魂》）担任导演，托马辛·麦肯齐、加布里埃尔·伯恩和罗拉·科克担任联合主演。

　　对婚姻怀有恐惧感的漫画家杰克．李蒙，在一场单身狂欢舞会中因为酒醉而糊里糊涂地娶了从蛋糕中跳出来娱乐宾客的金发美女维尔娜．丽丝。当他清醒过来之后，便想尽办法要摆脱这个妻子时，维尔娜．丽丝真的不见了，所有人都认为他就是凶手。

　　一般法庭审案电影多将剧情重点放在控辩双方于庭上的唇枪舌剑，本片则别出心裁将主题拉到原告与被告双方律师的身上，因为他们的身份是父女。吉恩．哈克曼饰演从六十年代走过来的理想主义分子，专门替弱势族群打官方，希望在并不健全的资本主义社会制度下为这些被压逼者争取权利。玛丽．伊丽莎白．马斯特兰托尼奥则是典型的九十年代实用主义者，在旧金山的顶尖律师事务所服务，正争取成为公司的合伙人。父女俩道不同不相为谋，平常不相往来，如今却因为一宗控告汽车公司故意出产危害乘客安全的车种而互相对簿公堂，于是在公私方面都构成了强烈的矛盾。导演迈克尔．艾普泰德表现称职。

　　自从和妻子离婚后，约翰（约翰·C·赖利 John C. Reilly 饰）一直单身一人，而前妻即将结婚的消息犹如一把利刃，再一次的插进了约翰的心里，愤愤不平的他忍不住的参加了前妻的结婚派对。没想到，在派对上，约翰认识了美丽温柔的莫利（玛丽莎·托梅 Marisa Tomei 饰），两人相互吸引很快便坠入了爱河。
　　好景不长，一个名叫塞勒斯（乔纳·希尔 Jonah Hill 饰）的男子的出现为约翰和莫利的感情蒙上了一层阴影。原来，塞勒斯是莫利的儿子，而对于这个21岁的小伙子来说，约翰这一凭空出现的男人显然是不受欢迎的。夹在莫利和塞勒斯之间，约翰左右为难，他能够成功获得塞勒斯的认可吗？他和莫利之间的感情又该何去何从呢？

　　高中生Wendy（Mary Elizabeth Winstead饰）与友人一起去游乐场庆祝毕业，大家玩得十分痛快。游乐场内灯火璀璨，却诡异处处。在坐上过山车的座椅时，Wendy忽然看到了怪异现象，心生恐怖，男友Jason安慰她不过是幻觉。过山车开动起来，可是在半空中突然出轨，大家倒挂空中。Wendy眼看着朋友一个一个坠落死亡，自己也不能幸免于难。
　　被同学的吆喝喊醒的Wendy惊觉刚才不过是幻觉，但是她忧心忡忡，力阻大家离开过山车。虽然遭到大家的嘲笑，但是事后证明这是正确的选择。过山车就如同Wendy看到的一样出事了。
　　然而，逃过一劫的少男少女们并没有脱离死神的魔掌。他们接二连三地死去。Wendy发现这一切都与在游乐场的一张照片有关。为了生存，她开始了与死神的搏斗。