一位来自美国南部的年轻作家斯汀戈（彼特·麦尼科 Peter MacNicol 饰）为求生计来到布鲁克林，认识了居住在楼上的苏菲（梅丽尔·斯特里普 Meryl Streep 饰）和内森（凯文·克莱恩 Kevin Kline 饰）。他们很热情的表达希望和这位年轻的作家交朋友 ，斯汀戈欣然接受他们的邀请。逐渐地交往之后，他们之间相互建立了亲密友好的感情。在这个过程中斯汀戈了解到，苏菲常因内森的猜疑和暴怒伤心哭泣，但她非常的爱内森，最让她担心是：内森没有她以后的生活将不可想象。苏菲是波兰人，二战后来到美国，在这里认识了内森并和他相依为命，战时苏菲曾被关进纳粹集中营，而她的父亲、丈夫、儿女全部在这场战争中罹难。对于自己的受难和亲人一个个的悲惨命运，和这场战争中人间地狱般的种族大灭绝，苏菲的精神和肉体该如何抉择……

Advertising executive Holly walks by the same holiday window every day on her way to work featuring the perfect man(equin). When a fateful icicle knocks her out. The fake window man becomes the man of her dreams. Then she discovers that though his looks are perfect, his personality is still…plastic.

　　本作改编自南胜久的同名漫画《杀手寓言》，主演为冈田准一。
　　「无论多强的敌人都可以在6秒内击杀他」的天才杀手“寓言”（冈田准一），被BOSS命令去大阪隐居一年，期间不可以杀害任何人。于是他化名为佐藤明，与伪装成自己妹妹的拍档佐藤洋子（木村文乃）移居大阪，在那里他第一次遇见了一般人女性·清水岬（山本美月），本该开始普通的日常生活，但是……

影梦人生系列影展篇目 　　电视电影 电影频道节目中心2005年出品 　　编剧：郎云 　　导演：宁敬武 　　主演：赵文瑄、孔林、侯方 　　故事梗概： 　　从小就喜爱电影的富家公子胡维臣，六岁那年被医生诊断出患有遗传性视力萎缩，被家人送去美国治疗眼疾。生性顽劣的胡维臣到了美国就如脱僵野马，终日沉浸在电影院里。若干年后的某天，上海传来他父亲病重的消息，在管家徐福的苦苦哀求下，胡决定启程回国。但等他归来之际，父亲早已撒手人寰。徐福宣布遗嘱：胡维臣要得到全部财产，必须立刻与汤家小姐成婚。 　　胡维臣对这门婚姻充满了厌恶。订婚之日，一个美丽女人即兴的钢琴表演牵动了他的心！定婚典礼总算勉强举行，但徐福极力反对他拍电影的计划。胡只好每日里混迹于歌厅酒吧，为当红歌女媚娘一掷千金。胡以酗酒相挟，医生警告徐福，胡如再酗酒，极有可能失明。徐福无可奈何，终于让步，答应...

　　高大帅气的体育生朴载炫因为不交诗歌作业而被老师留堂。两人在校外开始文学创作的私人课程，足迹踏遍首尔的大小风景。期末考试时载炫将一首情诗作为作业提交，让老师不禁浮想联翩，随后却被现实的冷水当头淋下。痛定思痛的他决定斩断情丝，结果反被学生一吻定情...

　　2015圣丹斯世界剧情片单元最佳导演奖。17岁的少女珊葛莉梦想有天能开飞机，但却受限于胆怯而内向的个性，还有惧高症。然而当珊葛莉遇上大胆、自由、自我主张的奥丝特，有了一百八十度转变。珊葛莉最后鼓起勇气登上飞机，但令她印象最深刻的是若即若离的关係。全片展现立陶宛的优美风光，藉由诗意的影像叙事，捕捉少女青涩的美感以及追求梦想的年轻力量。

　　The tree finder for Chicago’s renowned Radcliff Tree lighting is left desperate to find the perfect tree. A letter from a boy promising his tree is perfect for the ceremony sends her to a small town where she learns that his dad is not willing to part with the tree.

Alithea Binnie虽然对生活还算满意，但对世界却抱着怀疑的态度。 　　在伊斯坦布尔，她遇到了一个精灵，后者向她提议用自由换取实现三个愿望。 　　但Alithea学识非常渊博，她知道与许愿有关的故事都没有好结局。精灵于是向她解释了这么做的原因，并讲述了自己辉煌的过往。 　　她被精灵讲述的故事所吸引，最终许下一个最令人惊讶的愿望。

　　改编自川村元气的人气小说，精神科医生藤代（佐藤健 饰）正在准备婚礼，而10年前交往的恋人春（森七菜 饰）从玻利维亚、捷克、冰岛依次寄来了写满初恋回忆的信件。这时，他的未婚妻弥生（长泽雅美 饰）突然消失，藤代开始寻找着所爱之人的真相。

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　本片讲述身为大学生的男女主人公在一次聚会中偶然相遇，在酒精麻醉下一夜温情后，男女主人公如何直面人生，一集各自有关成长，如何面对双方父母，如何规划自己人生的思考和斗争，上演了一幕又一幕感人的爱情画面。

　　乔治（詹姆斯•斯图尔特 James Stewart 饰）在圣诞节前准备自杀，这时上帝传来旨意，派天使拯救他，并让他了解到自己一生的使命——拯救那些不幸的人。乔治小时候左耳有疾，在贝德福德镇上的一家药店帮工。他很机灵，深得老板器重，同时也很招女孩喜欢。某日，老板接到爱子死亡的电报，悲痛欲绝，配错了药，幸亏乔治才化险为夷。乔治从小嫉恶如仇，尤其看不惯富人专横跋扈。长大后，乔治一表人才，准备去读大学。这时，他的父亲去世了，他子承父业，协助叔父料理公司事务。然而公司经营状况不佳，在董事会会议上面临破产。如果公司破产，小镇将会有很多家庭陷入困境。乔治力排众议，说服了董事会，但是条件是他要担任董事会秘书长。这与他的大学梦相去甚远。而且，此时他还陷入了对一个女孩的爱恋之中……

　　舞蹈老师林茂茂因丈夫吴郝离他而去患上精神分裂症，每天到车站等丈夫回来。前男友陈广每天不计回报地陪伴照顾林茂茂。吴郝终于回来，和林茂茂破镜重圆。陈广也获得了新的爱情。

　　音乐收藏家奥利·斯韦招募了他唯一的朋友，一个吵闹的俄罗斯流浪者，帮助他从自己家里的庄园里偷了一张78张唱片。