伯纳德（杰拉尔•·德帕迪约 Gérard Depardieu 饰）和凯瑟琳（芬妮·阿尔丹 Fanny Ardant 饰）是一对生活优渥的中产阶级夫妇，他们朋友众多，友善好客，但是夫妻感情却似乎出现了问题。在凯瑟琳生日当天，伯纳德没能及时赶回来参加派对。次日，丈夫手机中一条暧昧的留言又让凯瑟琳疑窦丛生。在此之后，他来到一家俱乐部，找到脱衣舞女马琳娜（艾曼纽·贝阿 Emmanuelle Béart 饰）。马琳娜工作之余以私人侦探的身份赚取外快，她接受了凯瑟琳的委托，化名娜塔莉去试探伯纳德。
　　随后的日子里，娜塔莉不断向凯瑟琳报告她和伯纳德的感情进展，这令凯瑟琳对丈夫的信任几近崩溃……

　　本片由由威尼斯电影节发起，并由联合国儿童基金会选定七位导演各自拍摄七部以儿童为主题的短片，旨在唤醒世人对儿童的关注和爱护。
　　《坦扎》梅迪·夏夫（Mehdi Charef）
　　非洲男孩坦扎的国家正陷入内战，他手执冰冷冷的枪战战兢兢度过每一天，他多么希望能回到安静的家乡和充满 阳光的课堂……
　　《蓝色吉卜赛》埃米尔·库斯图里卡（Emir Kusturica）
　　吉普赛男孩乌洛斯（Uros Milovanovic 饰）即将走出少管所，但是大墙外的自由世界却看不到幸福的希望……
　　《上帝保佑的美国孩子》斯派克·李（Spike Lee）
　　小女孩从父母那里感染了艾滋病，幼小的她该如何面对这一切？
　　《毕露和乔》卡迪亚·兰德（Kátia Lund）
　　毕露和乔是住在巴西贫民窟的两个好朋友，为了一双新球鞋，为了给家中多添一片瓦，他们拾废品换钱，永远保持乐观的精神……
　　《乔纳森》雷德利·斯科特（Ridley Scott）&乔丹·斯科特（Jordan Scott）
　　战地记者经历无数人间惨剧，回到欧洲后他备受折磨，恍惚间他回到了自己的童年……
　　《Ciro》斯蒂芬诺·维奈鲁索（Stefano Veneruso）
　　意大利那不勒斯，男孩光天化日之下偷盗抢劫，只为了……
　　《欢欢和小猫》吴宇森
　　欢欢是个家庭富裕娇生惯养的小女孩，小猫则是被人抛弃然后由捡破烂的爷爷好心抚养长大的可怜孩子。一场灾祸，一个洋娃娃，将两个孩子的生活连在一起……

　　Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
　　Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.

　　故事发生在风景美丽如画的希腊小岛上，亚尼斯（弗朗索瓦-格扎维埃·德梅松 François-Xavier Demaison 饰）是生活在那里的一名14岁的少年。母亲在很早之前就离开了亚尼斯，现在他和父亲戴蒙思内（埃米尔·库斯图里卡 Emir Kusturica 饰）过着相依为命的日子。戴蒙思内是一个非常严肃和古板的男人，平日里不苟言笑，并且对亚尼斯缺少关怀，随着时间的推移，父子两人之间的距离越来越远。
　　一次偶然中，亚尼斯在岛上发现了一只濒死的鹈鹕宝宝，善良的亚尼斯偷偷收养了这只小鹈鹕。因为害怕爸爸责怪自己，亚尼斯并不敢将鹈鹕的事情告诉爸爸，而这只渐渐康复长大的小鹈鹕这让亚尼斯成为了小岛上的风云人物。

　　因为妻子摔破了自己心爱的小提琴，音乐家纳瑟·阿里（马修·阿马立克 Mathieu Amalric饰）决定自杀，绝食八天后他终于死去。在这八天里，躺在床上的他回顾了自己的一生。他想起了自己与弟弟的小时候，想起了自己的女儿和儿子，想起了自己失败的婚姻，想起了母亲临死前的场景。当然，他还想起了自己一生的挚爱——伊兰娜（格什菲·法拉哈尼 Golshifteh Farahani 饰）。
　　年轻时的他，音乐造诣并不高，被老师评价为只有技巧缺乏感情。有一次，他在一家钟表店邂逅了美丽的伊兰娜。从此他的命运改变了方向，他与伊兰娜经历了一场难忘的恋爱。然而，命运弄人，他与伊兰娜最终还是分开了……
　　《梅子鸡之味》改编自导演 玛嘉·莎塔琵的绘本作品。主人公原型是导演的伯父，是伊朗一位著名的音乐家。

　　Rachel a 40 ans, pas d'enfant. Elle aime sa vie : ses élèves du lycée, ses amis, ses ex, ses cours de guitare. En tombant amoureuse d’Ali, elle s’attache à Leila, sa fille de 4 ans. Elle la borde, la soigne, et l’aime comme la sienne. Mais aimer les enfants des autres, c’est un risque à prendre…

　　《黑色安息日》是1963年由马里奥·巴瓦执导的一部意大利恐怖电影。鲍里斯·卡洛夫除了出现在链接段落中，还在《武达拉克》(根据阿列克谢·康斯坦丁诺维奇·托尔斯泰的故事改编)中扮演了一个角色。这部电影由三个恐怖故事组成，另外两个是《水滴》和《电话》。

　　Set in an unspecified French village, the locals are shocked when a group of girls skinny dipping in the nearby lake (all very tastefully done I hasten to add) are killed by a group of zombiefied Nazi soldiers, that spring up out of the waters and drag them down to their demise.
　　A couple of detectives are brought in to try and solve the mysterious murders, only to end up as the zombies next victims. It turns out that during the war, the French resistance ambushed and killed a squad of German soldiers and dumped the bodies into the nearby lake, but failed to take notice of any of the local superstitions (never a wise move). Although, seeing as this film appears to be set in the early 80's, why it's taken so long for them to emerge and start killing people is a bit of a mystery, but there you go.
　　Not-with-standing, the villagers quickly organise a lynch mob to take down the zombie menace, only to end up being decimated by the undead soldiers, who's 'convincing' zombie make-up basically consists of green paint, which doesn't even cover the whole of the actors faces and keeps washing off in the lake.
　　There's also a bizarre sub plot about one of the zombies visiting his former daughter, who strangely still looks all of 12 despite the fact she should be in her 40's if she was born near the end of the war, but then since when did logic ever come into these films? Such as why do their uniforms still look almost new despite being underwater for 40 years, or how come the skinny dipping girls are only knee deep in the water when viewed from the lakeside, yet appear to be swimming in 12 feet of it from the underwater shots?
　　Bad acting, naff zombie make-up (the aforementioned green face paint), painfully obvious underwater shots filmed in a swimming pool, not to mention the plot inconsistencies bigger than the aforementioned lake itself. Low budget doesn't even begin to describe this film, which quite unbelievably was directed by respected Eurohorror director Jean Rollin, albeit under the pseudo name J A Laser.
　　That's not to say the film isn't without merit. I bust a gut laughing at the thoroughly ridiculous scenes of the zombies attacking the naked young girls, and the equally ridiculous slapstick battle with the angry villagers. Utterly hilarious, grab the six pack and the popcorn and have a blast!

　　《被爱的人》在巴黎、伦敦以及布拉格三地取景，故事分为两段，一段发生在上世纪六十年代，性开放和女性解放的黄金年代，巴黎女子玛德林随新婚丈夫贾罗米尔来到了布拉格，然而苏联坦克开进这座城市迫使两人的分离。第二段是在三十年后，九十年代的人们体会到了艾滋病的恐怖，害怕承诺是一种世纪病，玛德林的女儿薇拉在伦敦遇到了亨德森，后者却认为自己没有相爱的能力。

　　一位新娘（珍．摩露）甫踏出教堂便成寡婦，她整個的愛情理想隨著愛人死亡而幻滅。她儲心積慮，逐一找尋害死丈夫的五個兇手，依次報仇。她的行為完全是基於對愛情的忠貞與執著，為了達成目的，不惜壓抑自己的感情，因為她堅決認為﹕「你們在我身上奪去了一些東西，無論怎樣都沒法還給我的了。」她所剩下的，是一顆沒有愛的心。
　　《奪命佳人》是杜魯福對希治閣的致敬，他對這位緊張大師佩服得五體投地，曾經寫了一部希治閣的訪問記。他敬佩希治閣是因為希治閣是全世界唯一最「完全」的導演──屬於大眾的同時也是個人的，是商業的同時也是實驗的。
　　改篇自美國作家威廉．艾里殊的奇情小說。（電影雙周刊）

　　Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema  journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.

　　倒楣男子傅根在路邊發現一具屍體，到警局報案協助調查，不料竟成為兇案主嫌，吹毛求疵的警探不肯放過任何一個細節，逼得傅根只好不斷回想，將那晚發生的雞毛蒜皮小事都一五一十地娓娓道來。漫漫長夜，偵查持續進行，但各種意想不到的荒謬怪事，卻在警局接連發生，眼見不為憑，揪竟警探是否能一窺真相天機？
　　法國荒誕喜劇奇才昆汀杜皮爾繼《超能輪胎殺人事件》等片後再次出招，這次與比利時影帝貝諾特波爾沃爾德聯手出擊，大玩觀點敘事手法，顛覆觀眾對類型的預期心理，開創懸疑風意識流黑色喜劇。超現實元素不斷侵襲電影中的故事空間，還來不及困惑，幽默嘲諷的對白又適時笑岔出題。在有限空間中，演員表演激盪火花，不到電影最後一刻，絕對猜不透它的最後一張底牌。

　　席卷东南亚的海啸，带走了贝尔摩夫妇挚爱的儿子约书亚。在此后的6个月里，夫妇俩始终没有放弃寻找儿子的信念，只是他们最终一无所获。在一次晚宴上，让娜（艾曼纽·贝阿 Emmanuelle Béart 饰）偶然从一支录影带中看到熟悉的身影，她坚信那个模糊的背影就是她失踪已久的儿子。保罗（卢夫斯·塞维尔 Rufus Sewell 饰）虽然不以为然，可也只能随着妻子踏上希望渺茫的寻子之旅。他们花费大笔资金买通泰国当地人，准备前往约书亚可能存在的缅甸某地。在这一过程中，贝尔摩夫妇经历了人生最为难忘的时刻……
　　本片荣获2008年Sitges – Catalonian国际电影节评委会奖最佳奇幻影片奖。

　　让-弗朗西斯·瑞切执导历史题材新作[巴黎皇帝](The Emperor of Paris,暂译 )正式开拍，文森特·卡索加盟出演男一号。影片围绕尤金·弗朗西斯·维多克的故事展开，作为法国家喻户晓的人物，维多克堪称一代罪犯专家。其被誉为现代犯罪之父，也是早期的私家侦探，更凭借丰富的犯罪经历任职警察部门，协力同行破获大量犯罪事件。

　　外交官杜米尼克·奥法尔任命为“南北交换机构”的法国代表。这一机构是一个拥有巨大权力的国际组织。有个代码为“奥林匹”的情报机构，将杜米尼克·奥法尔夫妇确定为“51号”和“52号”，他们搜集了解“51号”的全部档案资料，伺机采取行动。影片主要表现了这个机关特工人员介绍“51号”的有关情况，他的家庭，经历，私生活等等，并最终说明他如何别人暗害。

　　奥达（塔哈·拉希姆 Tahar Rahim 饰）和哥哥从小被寄养在纳萨比门下，纳萨比（安东尼奥·班德拉斯 Antonio Banderas 饰）在一次意外的发现了石油开掘后成为富甲一方的首领，逐渐与境外势力勾结，为了“黑金”置百姓与水深火热而不顾，并为了扩大权势将奥达与公主（芙蕾达·平托 Freida Pinto 饰）联姻。奥达的父亲带领阿拉伯平民，决心向纳萨比宣战，并鼓动自己的亲生儿子奥达的加入，但此刻纳萨比已占有高端军事武器，双方实力悬殊巨大。生性不好战的奥达挣扎在两个“父亲”、两个族群之间，不得不做出残酷的选择，为了百姓的生存与和平，与“不可战胜”的养父展开背水一战。

　　Somewhere on isolated mountainous plain. Johann has taken over his father’s farm, devoting all his time and energy to his work. Surrounded by a struggling community and a natural landscape that has taught him all he knows, his heritage is his entire life. As autumn goes and winter comes, a barn burns to the ground and jeopardizes the fragile balance of the farm's survival. The story of a man trying to love the world he belongs to one last time, as hard as he can, before it sinks into darkness.